Categories | Rental LED Display |
---|---|
Brand Name: | Ocolour |
Model Number: | OC-ID-P3.91SMD2525 |
Certification: | CE/RoHS/FCC/ETL/TUV |
Place of Origin: | China |
MOQ: | 1 sq.m |
Price: | negotiation |
Payment Terms: | 40% T/T as prepayment, 60% T/T as balance at factory |
Supply Ability: | 10000 sq.ft per month (1000㎡ per month) |
Delivery Time: | 25-30 working days after received your payment |
Packaging Details: | Plywood cartons or flight case packaging |
Power brand: | Meanwell |
Physical Density: | 65410dots/sq.m |
Led chip: | San'An |
Refresh rate: | 3840Hz |
Module Size: | w250×h250mm |
Module Resolution: | w64xh64pixels |
Driver brand: | MBI5151 |
Voltage: | 110VAC |
Rental LED Display Modular LED Display Rentals P3.91 Outdoor LED Screen Hiring
If you’re just now learning about modular led display rentals you might be confused as to what type of screen will best fit your event. I’ll try to shed some light on the different applications to which a modular screen would be the best choice.
First off, modular LED display rentals (I’ll use the terms interchangeably) are the type of screen that is constructed onsite at the event from smaller pieces called panels, tiles or cabinets. These panels can range but are most commonly around a foot and a half to two feet, sometimes square and sometimes rectangular. This allows for a ton of flexibility in terms of shape and size of the screen. Some popular sizes are: 9’x16’, 11’x19’, 13’x27’, etc. Keep in mind; however you can literally build a screen in any size or shape you want, however you can only build it in multiples of the panel size. So for instance, a two foot square panel would allow for the following sizes: 2’x10’, 10’x2’, 4’x8’, 4’x16’, etc.
As you can see, if you need a screen that is a particular size it is very likely you’ll need a modular screen, as mobile LED screens come in fixed sizes. Also, for an indoor event, a modular LED screen is the way to go 98% of the time.
Modular LED Display Applications
There are too many applications to name however you can be pretty sure that you’ll need a modular screen if the venue cannot accommodate a trailer or truck. Also, many times due to aesthetic reasons a modular LED screen is preferred. Some popular applications are screens that flank a stage on either side, flown from truss, a screen at the rear of the stage as a backdrop.
Mounting Options
How you decide to mount your modular screen will depend on a couple of variables:
1. How high will the screen need to be to be viewed clearly?
2. Is there any sort of structure present in the venue that can support it?
3. If there aren’t any, you must think about how the structure affects the aesthetics of your show.
Ground-stacked, supported from the rear is a popular method if you are using the screen as a backdrop. This option doesn’t get the screen very high off of the ground usually 0’ – 2’ tops. This option is usually seen as aesthetically pleasing, as you do not see much of the structure from the front.
Stacked on stage, supported by scaffold is another option, and a good one if you’re going to be outside, as it is safer than a flown screen, which can be a precarious setup if it’s windy. This option gets the screen anywhere from 2’ – 7’ off of the ground. This option is usually seen as aesthetically pleasing, as you can drape the scaffold structure, which gives it a clean look.
Flown from truss is the best option if you need to get the screen high in the air (over 8 – 10’). This is usually a quicker setup than a scaffold supported screen, and typically uses motors to hoist the screen in the air. Some find this setup aesthetically pleasing and some do not, however always keep in mind that this option can be dangerous if the wind pics up, as the screen is literally hanging from the truss tower.
Flown from a forklift or lull is another option for getting the screen high in the air (8’+). Most events do not like the look of the forklift and therefore opt for truss supported. This build is done by placing a piece of box truss over the forks, tying it down, and building the screen under the truss. There is usually the most cost-efficient way of getting the screen high in the air; however it typically isn’t seen as aesthetically pleasing.
At the end of the day it is usually best to defer to the opinion of your screen provider, as we’ve been in all weather conditions and will always select the safest build, even if it isn’t as aesthetically pleasing.
Specifications:
Item | Technical Parameters |
Screen model | OC-AD-P3.91SMD2525 |
Led encapsulation | SMD2525 |
Led configuration | 1R1G1B |
Pixel pitch(mm/inch) | 3.91mm / 0.15 inch |
Red chip | Wavelength range: 620-630nm, 5nm; |
Green chip | Wavelength range: 460-470nm, 4nm; |
Blue chip | Wavelength range: 520-530nm, 4nm; |
Resolution | 6077dots/sq.ft (65410dots/㎡) |
Maintenance | Front-maintained |
Brightness: CD/sq.ft (CD/㎡) | >650CD/sq.ft (7000 CD/㎡) |
Refreshing frequency: Hz | >3840 Hz |
Grey scale | 14bit |
Module pixel | W 64 × H 64 dots |
Module size | W 9.8 X H 9.8 inch (W 250 × H 250 mm) |
Viewing angle | Horizontal: 140°, Vertical: 140° |
Cabinet material | Aluminum |
Lightness uniformity | Pixel & module>90% |
Cabinet color | Customized |
Driving method | 1/16 scan constant current |
Driving IC | MBI5151 |
Power supply | 85-264VAC, typical value: 110VAC/220VAC |
Max consumption | Max.≤89.12W/sq.ft (960W/㎡) |
Average consumption | Ave.: 29.73-44.59w/sq.ft(Ave.:320-480w/㎡) |
Led life time | ≥100000hours |
Mean time to failure | ≥5000hours |
Module plainness | ≤1mm |
Pixel out of control | less than 1/ 10⁻⁴, dispersion state |
Working temperature | -30ºC to +60ºC |
Working humidity | 20% to 90% |
Waterproof IP | lamp & top:IP65, other part:IP54 |
Protection function | dampproof/dust-free/anti high temp/anti-thunder/ anti electromagnetic interference, etc |
Certificate | CCC /CE/UL/RoHS/Tuv |
Hardware interface | Standard PC network interface technology/U disc/3G |
Display mode | 24 bit true color |
Colors | 281 trillion colors |
Colour processing ability | ≥14bit |
Color temperature | 3000K ≤ TC ≤9000K, adjustable |
Brightness regulating degrees | continuously adjustable step by step through the software |
Anty-Y correction curve | Anti-γ correction system: 2.2-2.8 adjustable |
Image adjust | White balance/contrasting / hue control/ Single point brightness adjustment |
Image processing | mage noise reduction/ image enhancement/ image motion compensation/ Image color coordinate transformation processing/ Image passivation treatment |
Correction technology | Yes |
Video mode | AVI, WMV, MPG, MOV, DAT, VOB, MP4, FLV |
Controlling platform | Windows |